[To appear in Ofer Gal and Charles Wolfe (Eds.), Embodied Empiricism (Springer Verlag)]
Justin E. H. Smith
Francis Bacon, in his 1605 work The Proficience and Advancement of Learning, argued for a ‘real character’ or artificial language that would be able to communicate intended meanings from one person to another with perfect transparency. This is a project that would be important throughout the rest of the century, with thinkers such as Samuel Hartlib, John Wilkins, and G. W. Leibniz all making significant contributions to the study of aritifical and formal languages.
Notes of Cogitations are of twoo sortes; The one when the Note hath some Similitude, or Congruitie with the Notion; The other Ad Placitum, hauing force onely by Contract or Acception. Of the former sort are Hierogliphickes, and Gestures. For as to Hierogliphickes, (things of Ancient vse, and embraced chiefly by the AEgyptians, one of the most ancient Nations) they are but as continued Impreases and Emblemes. And as for Gestures, they are as Transitorie Hierogliphickes, and are to Hierogliphickes, as Words spoken are to Wordes written, in that they abide not.
In some fashion or other, it is the first kind of ‘Hierogliphickes’, in the sense Bacon describes here, that will dominate in the 17th-century efforts to develop an ideal, artificial writing system, one that would not be based on mere convention, but would instead serve transparently for producing ‘Emblemes’ of the things one wishes to denote. The second variety Bacon identifies, gesture, will in contrast gain little attention. Yet little attention is not none at all. Over the course of the 1640s, the obscure Baconian natural philosopher John Bulwer would develop his predecessor’s notion of transitory hieroglyphics into an elaborate system, one that would indeed serve as the starting point for the later sciences of, among other things, sign language and sociolinguistics.
According to Jeffrey Wollock, Bulwer would entirely ignore Bacon’s interest in an ideal language, focusing instead exclusively upon Bacon’s characterization of gesture, indeed turning this into the centerpiece of his chirological project. According to Wollock, “this was in part because [Bulwer] retained older views on the inherent ontological harmony between man and the universe, but also because, for Bulwer the physician, the underlying neurophysiological basis of gesture confirmed it as the universal ‘language’ of humanity.” It would be more correct to say, however, that Bulwer does not abandon the search for an ideal language, but indeed believes that he has already found one in gesture. In examining why he believes this, we might be able to discern an important rift in 17th-century debates about the universal character, between those who believe that this can be nothing other than an artificial language, and those who believe that it is precisely artifice that obscures meanings, and that any universally comprehensible system of communication will be perfectly natural as opposed to artificial. But in considering Bulwer’s understanding of the natural, and of the way that nature equips bodies with a sort of mute natural language, we are also able to gain access to a curious, if not terribly influential, theory constituting a point of contact between early modern philosophy of language on the one hand and the early modern metaphysics of body on the other. The best way to draw this connection out, over the course of the following two sections, will be to focus on Bulwer’s very different --and at first glance unjustifiably different-- judgments about two different ways in which the body is implicated in human activity: as the vehicle of meanings in body language, and as the object of human artifice in tattooing, foot-binding, and other forms of body modification.